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Practical Counterpoint
Introduction
Welcome (10:14)
Course Logistics (4:13)
Resources
Basic Principles
Overview (3:42)
Texture (11:47)
Consonance and Dissonance (16:14)
Voice Leading (19:46)
Contrapuntal Motion (8:35)
Analysis / Exercise: Two-Part Invention (17:47)
Examples: Classical (11:48)
Examples: Rock (10:18)
Examples: Jazz (11:54)
Counterpoint in Two Parts
Overview (7:13)
Interdependence (17:59)
First Species (1:1) (11:54)
Demonstration: Harmonizing a Melody (31:44)
Second Species (2:1) (14:18)
Third Species (Many:1) (12:43)
Demonstration / Exercise: Two-Part Piano Piece (32:09)
Fourth Species (Offset) (12:15)
Fifth Species (Florid) (10:50)
Invertible Counterpoint (22:47)
Demonstration / Exercise: Renaissance Duet (31:27)
Counterpoint in Three or More Parts
Overview (3:38)
Combinations (16:37)
Variety (12:11)
Triads (17:03)
Dissonance (20:40)
Doubling (21:06)
Function (15:32)
Analysis: Texture and Motion (6:42)
Analysis / Exercise: Renaissance Harmony (26:17)
Analysis / Exercise: Baroque Harmony (14:37)
Demonstration / Exercise: Three Part Counterpoint (42:47)
Imitation
Overview (6:09)
Real and Tonal Imitation (15:44)
Sequence (7:16)
Augmentation and Diminution (7:46)
Inversion (20:39)
Retrograde (7:52)
Analysis / Exercise: Trio Sonata (15:04)
Stretto (6:13)
Canon in Two Parts (10:45)
Canon in Three or More Parts (8:06)
Analysis / Exercise: Accompanied Canon (21:40)
Canon Construction (29:25)
Demonstration / Exercise: Free Canon (26:16)
Demonstration / Exercise: Canon Over Fixed Bass (35:23)
Renaissance Motet
Overview (4:26)
Melodic and Rhythmic Language (12:38)
Harmonic Language (26:39)
Form (22:37)
Voice Relationships (15:24)
Demonstration / Exercise: Motet, Part 1 (36:49)
Demonstration: Motet, Part 2 (23:22)
Project
Baroque Fugue
Overview (4:50)
Melodic and Rhythmic Language (11:02)
Harmonic Language (11:46)
Use of Dissonance (15:52)
Form (14:36)
Subject (17:03)
Answer (15:23)
Countersubject (19:08)
Additional Responses (12:46)
Middle Entries (11:24)
Episodes (7:07)
Conclusion (6:46)
Subject Construction (16:10)
Demonstration / Exercise: Fugue, Part 1 (34:34)
Demonstration / Exercise: Fugue, Part 2 (43:01)
Demonstration / Exercise: Fugue, Part 3 (42:45)
Demonstration: Fugue, Part 4 (31:49)
Project
Bonus: Case Studies
Analysis & Discussion (1:30)
Teach online with
Doubling
Counterpoint in Three or More Parts: Doubling
by
Marc Sabatella
Complete and Continue
Discussion
